At kabbalah the time of Blas de Otero existentialist titles are fiercely human angel (1950), roll of consciousness (1951) and ANCI (1958).
Before entering into considerations about the existentialist poetry oteriana should explain that existentialism, philosophical movement in which it is spiritual center based and which contains provisions to form the thematic structure of his work.
Existentialism has its antecedents in the late seventeenth century, Pascal, although born of the hands of the Danish philosopher Soren Kierkegaard and grows mostly in the period between the wars. Basically, posits that there is a big difference between "being" and "exist". "Being" is a passive objects "are" because they do not star in any action in any case they are receiving them, can not choose their own destiny. They are what they are if, without the possibility of moving themselves. However, the man "there" does not match what it is, can change his own being with its decisions. Rioja is dynamic (the man) versus red string the static (objects, inanimate rioja). The man is characterized by finite spatial and temporal content in a contingency: that is, a mortal body (this is a critique of "being" designed to eternity).
Thus, the man not only "exists", but it should. In defense of existentialism is a subjective experience beyond pure objectivity, in response to the philosophy of Hegel who believed in the possibility of a rational knowledge, objective and pure of all things in the world. This is why it is posited moral individualism: everyone should be responsible for their own actions and decide its ethical code. There is therefore no objective basis for moral decisions upholding the highest fine for an individual to find their own unique vocation. This is a criticism of the 'beyond' metaphysics to focus on "more here", an alternative to the philosophies that analyze the objective knowledge and systematic conceptions of the world to focus on the men in her life and death.
Important within a stream of existentialism, and probably more than any other brand the poetics oteriana is initiated by Jean Paul Sartre: a primarily moral philosophy, which denounces the man's commitment to its own freedom. There is no predestination, no gods or souls: each is responsible for your own actions, alone, without more. This sense of existential loneliness is one of the pillars of this stage poetica de Otero. Existentialism sartriano is part of Marxism, differing from this in a denial of all totalitarianism: the man should be free to be what you think.
In Blas de Otero existentialism appears in a transitional phase, in response to the spiritual crisis of 1945 during which he loses faith. Through it comes to what will be the final stage of his poetics, poetry society. However, this stage has its own value and of themselves.
After attempts to mystical union of the religious stage, the poetic I stay alone and begins the agonizing search for a new faith and a reason to live. The man is a being destined to death in a context of desolation and ruin, eager to survive, not get lost in the void, looking for God. What was once a call is now a question shouted. However, only silence in response tree center obtained in the silence his heart is filled with fear, fear of death that imprisons him and sentenced him to all the things you are doing is useless.
In this poetic, as in the above, there are only two people: I (the poet) and you (God). But the roles have changed: you are away. Tired of shouting without response, I returned his gaze to his own interior and what is destroyed, broken, ruined, as the kabbalah a city ravaged by war. Find poetry in human salvation, which zohar integrates a full mortal life to study center humanity.
Nor does this in its own internal response to alleviate the terrible suffering of the poet's voice. By becoming aware of his own tragedy, I recognized the existence of other men meditation center with the same problem. After a lengthy search process poetica, ranging from israel - center "you" to "I" and "me"to "others", he begins to see cabalakabala the departure of the long tunnel: there is nothing to give up one life and no future to deny humanity itself. What should be done is to accept one's destiny, and thus to find a los angeles center new way of life. This way of salvation is two: love and mysticism poetry.
The theme of love in Blas de Otero is present throughout his work with various events: toward God, toward women, toward the neighbor, his poetry is sometimes spiritual, carnal and other human, but above all loving.
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